Input Requested

Taking a break from my week of two page scrapbook spreads to make shadow boxes for my father who passed away unexpectedly last week. Because I have never been one to add a lot of embellishments, I need advice on how to make these boxes "pop".  The first layout is completely Mosaic Momemts on a water color paper.  I did use the rule of thirds by starting with the largest image as an anchor.  I've added some strips of washi tape and three self-adhesive stickers.

The image has glare from the flash.  Please let me know what to add.
Thanks

Week 5: Stripping

Scrapbook Soup airs on PBS and has several seasons available on DVD as well as a few instructional videos on youtube. One show explains how to finish a page in about 30 minutes using a technique called photo strips.

The idea is to view a 12 x 12 layout with a large 4 x6 grid - either vertical or horizontal. By starting at the edge of your page, place photos until the page is covered.  Marking the grid isn't required.  Scrap paper or washi tape may be used to fill in any open spaces.  Or they can be used for titles, text, or embellishments.

 I used a photo strip in the lower half and Mosaic Moments to complete the upper half.

Here are some close ups of the embellishments used in this layout.
An epoxy sticker,
a Creative Memories (CM) sticker strip,
and CM letters on a stamped image of piano keys fill the last two inches
of middle photo which was a 4 x4.

Embossed stamp image cut from blue paper used as an embellishment.

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This page uses the horizontal photo strips for the entire page and one section is left for a journal.

I punched out the restaurant's logo from their napkin holder, inked the edges and matted it.  Using pop dots, I placed it over the spoon and the green washi tape.  The utensils in the layout were stamped on scrap paper, cut out then inked along the edges before being added as embellishments.




I noticed this Kiwi Lane Design layout uses a vertical photo strip with a different approach.  Looks like it could be a fast layout to recreate with the right mix of patterned paper.

More about this layout can be found at Geocaching

Week 4: Triangle of Clusters

The visual triangle technique (placing three similar items on a single layout to create a triangle) is used on this two page spread by using clusters featuring a stamped flower.  

I have a container filled with embossing powders. By stamping six flowers then heat embossing them with gold powder, I used a minimal amount of this supply.  The flowers were stamped on scrap white card stock then fussy cut and colored with markers.

Embossed flower placed on cut out from patterned paper.

Covered a punched circle with copper tape to add more bling. Flower placed beneath disk.

The clusters have a few punch outs of a navy floral outline and "beads" cut from the patterned paper.  The paper is a winter/holiday paper called "Kris Kringle" made by SEI.  The colors perfectly capture the colors in the January sky. The letters were cut using the Cricut (Plaintin and Artiste cartridges)

Navy floral punch out with embossed flower and cut out.

This spread relies on the rule of thirds, the Mosaic Moments for adding in accent pieces, and the Kiwi Lane design templates for the adding the pattern pattern to a 12x12 white card stock.

Week 3: Creating Clusters

Clusters are a great way to use non-matching stickers and scraps of patterned paper. Clusters are usually placed where you want the reader's eye to land and linger.  From my card making days, I rely on the number five as the minimum for layers related to a cluster. 

For the first page of this layout, I started with Tami Potter's Mosaic Moment approach  - seeing my page as a grid of squares.  I placed my enlarged photo on the upper left two thirds of the page.  The cluster below the photo is centered four inches from the left side.  

Cluster on first page with five layers of color.

The layering of the cluster:

1. Gray card stock serves as the first layer.
2. Patterned paper cut from a Kiwi Lane Design template is the second layer.
3. A cream colored scroll from a sheet of stickers for Hawaii adds the third layer. 
4. The mat cut from scrap pattern paper is the fourth layer. Edges have been inked.
5. The store's logo cut from their menu is the fifth layer. Edges have been inked and the image is on pop dots. 

Adjacent to the main cluster is a smaller cluster of fruit and squares with fewer layers.

1. Gray card stock is the first layer. 
2. Squares cut from scrap paper are the second layer. 
3. Cherry and lemon serve as the third layer. 
4.  A small Hawaiian flower tops the lemon to give it another subtle layer. 

For the second page, a small cluster is in the lower right corner. The ticket peeking out beneath the photo mat serves as the second layer in this cluster.  The matted logo adds two more layers to the cluster.

Cluster is in the lower right third.

As I continue to complete the remaining of the 52 layouts, I hope to use at least one cluster on each page of  my usually sparsely embellished pages. 

Week 2: Using Vertical Thirds with Mosaic Moments

Tami Potter  created the Mosaic Moments approach to scrapbooking.  I use her approach most often because it is a great way to incorporate many photos into one layout. I like being able to fill a page without having embellishments everywhere.

Using the mosaic approach, it is easy to see the "thirds" on each layout.  On one page, I placed the date of the trip in the upper third on the right side of the page.  For the facing page, I placed the "the quarter stitch" business card on the lower third of the left side olumn.

For this spread, I tried to add in embellishments to soften the vertical lines.  I cut images from the patterned paper and placed them behind some photos. I also reached into my stash of stickers and got a little carried away. 

Week 1: Vertical Thirds

Adding my first two-page layout with hopes of completing 52 spreads before my year of being 52 ends.  Each spread will be an attempt to reduce my collection of memorabilia and photographs while consuming my scrapbook and card making supplies. For some  knitters, SABLE is more than a color, it is an acronym, Stash Acquisition Beyond Life Expectancy. I think I've reached this limit for my scrapbook and card making endeavors. Maybe this year of 52 spreads in 52 weeks, I'll make a dent in the patterned paper, stickers, brads, and ribbons stored in my craft room.

Rule of thirds applied primarily vertically on 12x12 paper. As well as horizontally, the upper third has the journal box.

Kiwi Lane design templates used to cut scraps of paper which were added as embellishments.

 

Mark it up!

A CTMH stamp ("Laughing Lola" set) highlights a scrapbook page.

I sometimes use rubber stamp images with open spaces in their design for creating patterned paper.  I add color using markers to the open spaces.

By using markers with colors similar to those found in the photos, I can highlight the photo without adding many physical embellishments. 


 This video shows how to use, blend, and store alcohol markers.  Although the video focuses on cards, the same techniques can be used with scrapbook pages.

DIY Patterned Paper

Purple hearts stamped on white card stock.

I have a stack of Colonial White card stock.  It makes a great base for a scrapbook page.  I can personalize each page by stamping an image on a page.

This video shows several techniques for creating custom patterned paper for a variety of projects.

Homespun Yarn Party

With two of my scrap booking buddies who also dabble in yarn, I made it to my first Homespun Yarn Party on Sunday at Savage Mill in Savage, Maryland.  The 30-minute wait to enter the venue prompted a walk through The Queen's Ink for paper-inspired awe.  After picking up a wood-mounted stamp, I found my scrap booking friend beckoning me to join her in the Yarn Party queue because "...it's moving fast now!" We quickly made it into the party, navigated the crowd, and began interacting with the vendors and their soft, fluffy wares.  So many types of hand spun, unspun, and hand-dyed yarns and fibers. It was a mini-version of the Maryland Sheep and Wool Festival without the commercial vendors, the livestock, and the carnival food.

The video shows the Yarn Party before it became crowded (i.e., the party was almost stifling at 2:30; glad they used the line to control the number of occupants).

Picture My Life

At Photo Scraps, a few scrappers asked me about the Close to My Heart albums.  I use the three ring binder; it is not the soft covered spine shown in this video discussing "Picture My Life".  I'll have to try get one of those before the next crop.

Shimmer and Shine

Last weekend, I made a scrapbook page using images full of sunshine and sand. I added more sparkle by using embellishments.  This video gives you a quick overview of how to use "Shimmer and Shine" to created cards and scrapbook pages that compliment your photo or text.

In the Background

Last weekend while attending an all day crop at Photo Scraps, I created a personalized background page by stamping an image randomly across the page.  I placed the photos on the page to determine which images would be exposed, then used markers to color them.

This video explains how to use a stamped image to create a border or similar design.

Make Mine a Mini

While scrapping last weekend at Photo Scraps, I had a chance to get a close look at the numerous mini-albums on display in the store. The mini books provide great ideas for creating a mini album and for embellishing a full-size scrapbook page.

This video explains some of the many ways to use the Cricut Artbooking cartridge to make mini-albums and pages for a 12x12 album.

 

Happy!!!

I enjoyed creating scrapbook pages at Photo Scraps in Eldersburg, MD this past weekend.  The store piped radio music through the overhead speakers as scrapbook participants selected photos, papers and layouts to archive memories.  Two of my friends who joined in the festivities noticed the frequent replaying of "Happy" by Pharell and John Legend's "All of Me".


Here is a video featuring a Happy layout:

Mulesing and Merino

A vegan friend of mine doesn't go to the Maryland Sheep and Wool festival.  One reason is treating sheep as a commodity.  Another reason is the mistreatment of sheep during the shearing process.  I've watched the sheep shearing competition and to me it doesn't compare to the abuse suffered by sheep that undergo mulesing.  This surgical procedure removes a crescent-shaped slice of skin from the sheep's backside and  tail stump.

In Australia, Merino sheep are raised to satisfy the demand for merino wool that is used in all types of garments and sold in stores as yarn.  The Merino has been bred to have more skin to produce more fleece and yield more profit.  The result is wrinkled skin susceptible to "flystrike" that can produce inflammation, general systemic toxaemia, and even death.  Flystrike occurs when blowfly eggs laid on the skin of the sheep hatch into larvae, which feed on the sheep’s tissue. Mulesing may prevent flystrikes; however, it may also cause infection and cannot prevent flystrikes on other parts of the sheep's body.

Sheep after mulesing.

Five years ago, P!nk made this video about mulesing.  It has disturbing images of mulesing and the eventual export of sheep to slaughter.  I am now keenly focused on avoiding merino, especially if it is sourced from Australia. 

 


This video presents one rancher's perspective.  He posted the video in December 2012. 

Spinning Around

As mentioned in a previous post, I have a drop spindle. I use it to make hand spun yarn infrequently.  I'm considering getting a spinning wheel.

The video shows how quickly you can spin roving.  Two different spinning wheels are featured.

DIY Drop Spindle

I bought a drop spindle at the Maryland Sheep and Wool last year from a vendor who explained how to use it and sold me some pencil roving to spin.  The spindle cost about $20.  It is lightweight and has a really nice sheen to the wood.

If you're interested in using a drop spindle and can't find one at a local yarn shop, this video provides very detailed instructions on how to make your own drop spindle.

Combing Locks

After selecting a fleece and washing it, the next step is to comb the fleece to create a worsted roving.  There are many how to videos about combing fleece locks.  This video starts with placing your fleece locks into a baking pan then spritzing them with an oil and water solution; a step I had not heard of before.  This is part one of the process and ends with placing the locks onto a comb. The other videos show how to complete the combing process.

Step 1: Pre-Wash

If you buy a fleece, it has to be processed before it can be spun.   The first step is to clean it.  Most videos I've seen recommended washing with a special degreasing agent or with Dawn liquid soap.

This video presents a pre-wash step - cleaning with a snow blower and a huge tumbler - that removes the vegetable matter and other debris.

What's in the Bag?

I always see people carrying large bags of fleece at the Maryland Sheep and Wool festival.  

This video describes what to look for in a fleece when buying it by the bagful. 

Twist then Park

I spin using a drop spindle.  Some spinners have told me a drop spindle can create yarn as fast as a spinning wheel.  For me, it takes a long time.  I need to perfect my movements, especially the drafting of the roving before introducing the twist.

This video shows how to use a drop spindle. 

One Arm Down

A center steek, a button band, and another arm to go. Because I'm using a wool blend which is somewhat slippery, I'm going to use a crochet steek for cutting the center seam before adding the button band. 

Watch this video excerpt from Knitting Daily to learn about three types of steeking.

Invictus

Because it's too cold to plant outdoors, I'm going to send some pansies in postcards to my friends in the  Yahoo! Postcard_xchange group.

Using the computer, I printed a poem directly onto the card stock then cut the paper - 5 1/2" x 4 1/4" for each postcard. Using the clear acrylic CTMH stamp from "My Life, Cricut Bundle" and "Love Life, Everyday Life", I put a frame around the title of the poem and added swirls along the side and bottom of the card.

The CTMH clear acrylic stamps make it easy to add a stamped image right where you want it.

A few cards were stamped with the "Heartfelt Birthday Wish" CTMH stamp. Watch this video to see how two tones are used to highlight a stamped image. 



I stamped the pansies using two dye ink colors.  The Stamp-a -ma- jig helps with placing the second color in the correct spot when using a stamp that is not clear.

A tool helps when stamping with wood mounted stamps and creating a two-toned image.

Image has been stamped twice.

I used a marker to ink all four sides to create a border.

Ended up with 20 handmade postcards that will be mailed out as part of the March postcard exchange.

Starting with Studio J

In my quest to capture memories in an album, I'm using the Studio J to make a few layouts.  I'm amazed about the flexibility in the layouts.  I've always leaned more to card stock then to digital scrap booking so this is a new experience.  It does go rather quickly.  As with regular scrap booking, the quality of the image makes a huge impact on the final look of the layout.  

The Studio savings available during March 2014 are described in this video.

Sweet as Tupelo Honey and Real Dial Size

This page starts with a 12 x 12 printed image.   I used scissors to cut out the top portion of the image to focus on two main colors - the caramel bed covering and the white onesie.  Using the Cricut Artbooking cartridge, I cut a honeycomb border (see page 66) at 7 1/2" real dial size in white card stock.  Using Twilight ink, I stamped various images from CTMH  - Honeycomb, Item Number: C1537, onto some of the white honeycomb pieces and glued them onto the page. 

I used the Cricut Calligraphy cartridge to cut the word, Dallas, at 3" using the Real Dial Size feature on a caramel cardstock.  I used the shadow feature to cut the letters again in green card stock.  These were glued together and the D was covered with Liquid glass and set aside to dry before adding to the layout. 

The phase, Sweet as Honey, [from CTMH  - Honeycomb, Item Number: C1537] was stamped once in caramel then again in olive green on white card stock.  A smaller honeycomb border was cut at 3" Real Dial Size and used as a frame for the phrase.  Three golden acrylic disks were added below the phrase and a sticker of a bee was added above it.

 Watch this video to see more examples of how the Real Dial Size feature can be used with the Cricut Artbooking cartridge.

Punching Plastic

Miss Sophia, my gray tabby, is an indoor cat which means we buy a lot of cat litter. The litter comes in large plastic containers.  Instead of recycling, I re-purposed a few by turning them into yarn totes with a few crafting tools - a Crop A Dile and a crochet hook. 

A Crop A Dile and a crocheted mesh combine to make a yarn tote.

After cutting off the handle and spout, I punched holes evenly along the rim of the plastic container.  I used a small crochet hook and nylon yarn by Omega to create a crochet mesh around the opening.  The mesh keeps the yarn inside the container. I made a long cord using acrylic yarn to use as a closure.  It is woven through the edge of the mesh. 

Even tipped over, the yarn stays inside.

The yarn tote addresses my primary concerns  - keeping the yarn clean and untangled while still being able to pull it smoothly from a ball, cake or skein.



Here's a video in which the two different types of Crop A Diles are demonstrated and compared.

Repackaging Mint Patties

Peppermint patties and thin mints are two of my favorite treats.  To commemorate a day with friends and family, I'm adding a little splash of paper crafting to wrapped patties.

To make these, I used the Cricut Art Philosophy cartridge to quickly cut out 60 circles (settings: 1 3/4" of  on page 21) on card stock.   I stamped them with the text using blue ink then used a marker to ink the edges.

I added a stamped image of a baby bottle then used a light blue marker to color the bottle top. 

These were affixed to the peppermint patties with glue dots. It took about an hour to make 60 party favors.

This favor used a very simple shape from the Art Philosophy Cricut  Collection.  This video gives an overview of all the treats tucked inside this cartridge.

Tag It!

Swatch tag for Martha Stewart Alpaca Blend yarn

After selecting the yarn and a pattern, a swatch is essential when knitting or crocheting a garment.  From my days of frequent yarn purchases, I have many skeins of the same type of yarn (same brand, weight and color).

When I make a swatch for a garment, I like to mark the swatch with the information from the yarn band along with the size of needles used to make the swatch.  This is helpful when returning to the same yarn to make another garment.  I can quickly see the needle used to produce a specific swatch.

Tags are a great tool for storing this information.  The tags easily attach to the completed swatch and provide space for adding any other tidbits of information.  I used the Cricut Art Philosophy cartridge - Tag 4 - to make the blue tag.  It was cut at 3.5" from scrap card stock, rimmed with a deep blue marker then covered with information cut and punched from the yarn band.

Swatch made with MaggiKnits

For the Maryland Sheep and Wool competition, I'm using yarns made by Maggiknits for a loose fitting jacket and Lion Brand (Martha Stewart Alpaca Blend) for a raglan sleeved sweater.

This video shows how tags can be created using the Cricut die cut machine.

Heart of the Rising Son

The Baltimore Sun published a story about my nephew, Sebastian,  in
River Hill wrestler Ames doesn't let nerve damage limit success

I had a chance to see one of his matches at the competition for the Howard County titles.   They did great job showcasing the two contenders for the title and literally putting a spotlight on each match.  I've tried to upload a video from the Howard County championships and can't get it to upload, so here is a video his mother captured earlier this year.



I'm searching the internet for a rubber stamp with an image of a wrestler. If you see one, please let me know where you find it.  

Markers are for MSW

The Maryland Sheep and Wool (MSW) Festival takes over the Howard County Fairgrounds the first full weekend of  May.  The past two years, I've enjoyed visiting the vendors, seeing the wide variety of fibers, thinking of  possible garments to make with a uniquely dyed skein, and watching the sheep dog competition. Not all in that order and last year I did get hooked on using a drop spindle to make yarn from roving.

This year, I want to try something different and be a more active part in the festivities by entering the Skein and Garment Competition.

During the past year, I've made several top down sweaters.  A few of them were steeked (i.e., knit as a tube then cut to create openings).   I've also had a chance to spend time making a pair of socks and a vest using the fair isle technique (i.e., using two strands of two different yarns while knitting one row).

For my first entry, I decided to combine techniques - top down, steeking and fair isle - to create my own sweater.  This approach eliminates the possibility of my sweater being the same as another knitter's.

Before committing to a design, I used my markers and grid paper to create possible color combinations and patterns. Fortunately, the colors of the markers pretty much match colors of yarn in my stash so they help give me an idea as to how hey will look in the finished garment. This doesn't negate the need to swatch before starting the sweater. 

Watch the video below to see how to add color to using markers.

 

March is for Matryoshkas

In March, the CTMH stamp of the month features an image of a matryoshka, a traditional Russian stacking doll.  Interesting how this stamp set was chosen possibly last year; yet, it is very relevant with Russia being frequently referenced after the unexpected events in Ukraine.

The video shows how the stamp scrubber makes clean up fast and easy. 

Free Embossing Folders

Friday, February 28, is the last day to take advantage of the free embossing folder offer from CTMH.  You get one of the five designs for free for every two packs of bulk single or combo colored cardstock you purchase in February. 

The folders work with the Provo Cuttlebug.  The video below shows how you can use the embossing folders for paper crafts.

Out of the Box

I have about ten boxes full of photographs spanning about four decades, at least.  The photos are safely stored; however, they go unseen.  My goal is to get as many photos into protective pages and nicely sorted in an album.  The CTMH Picture My Life approach to albums gives me a quick way to reach this goal. It's similar to Project Life, yet it comes with paper inserts which coordinate with the CTMH inks, markers, papers and embellishments. 

Here's a video which explains how it works in more detail.

Studio J Savings

During the month of March, order your Studio J™ layouts—including ones using our new Photo Express Collection—for only $5 each!  The video shows how to easily place and size your digital images in Studio J.

Quickly create gorgeous, personalized studio layouts using a wide selection of papers, collections, patterns, and embellishments.

Make sure you check out the templates in the new Photo Express Collection, which allow you to design layouts entirely comprised of photos in minutes. 

Studio J layouts ship in a protected box that can hold from 4 to 50 two-page layouts. 

You’ve taken the photos. Now keep the memories™.

Taming the Wild Thing

I like using stamp sets for a variety of projects. For this journal box, I used the following:

• three CTMH February Stamp of the Month stamps: I Love You, Wild Thing, and Patterned Heart
• Cricut Art Philosophy Cartridge, cut the following:
• two hearts on page 69 at 1.5"
• a label on page 36 at 1.75"
• oval on page 22 at 1.5" 

• Scrap paper: white (2.5" square), blue (2.75" square), brown (3.5" square)
• a blue marker
• brown and blue ink
• adhesive.

After cutting the label and hearts, I stamped them with the coordinating images then lined the edges with a blue marker. I used the marker to ink only the word "love" on the I Love You stamp then stamped the small oval. These items were adhered to the larger label to cover the text "Wild Thing."

The squares of paper were stacked and glued together.  The love label was glued at the top of the square.

The video provides additional ways to use stamps for projects which initially seem to have a different theme.

The fox says STAMP!

February 2014 Stamp of the Month




When I drove home this evening, a red fox ran across the street in front of my car.   I braked and watched the fox skip across the snow covered lawns into the woods.  The fox sighting made me appreciate the amazing amount of wildlife in my neighborhood which sits in a major metropolitan area.  It also reminded me of the stamp set available in February for $5.00 (after a minimum purchase) through Close to My Heart.  The stamp set focuses on fox-related images and text with words of admiration.  Tomorrow, I'll post how I used the stamp set to create a quick embellishment for a card or scrapbook page.